Scenory for "The Man of Mode"

http://www.furniturehistorysociety.org/newsletter_168.pdf

I found this link to be very helpful not only by showing pictures of the furnishing for the time period but also giving the history of the furniture. However, there is a draw back to this page and that is it only gives you a few or the pieces of the time. Although I’m sure by joining their membership one could find many more helpful pieces to set the stage with.


http://www.greatbuildings.com/types/dates/1600_to_1699.html

This is a web page that I really enjoyed looking trough. It shows many buildings from all over the world to fit the time period and gives perspectives in many ways it even has links on some of the building so that you may find them on Google earth and see a three-d image of what they may or do look like today. This page gives an idea of the lines and styles they used during this period.


http://architecture.about.com/od/periodsstyles/ig/Historic-Styles/Renaissance.htm

About.com is a page that I never really played around with before this but will definitely use again in the future. It has wonderful picture that give a great idea of the colors and themes to use in a production and can be used for much more. This page also shows you current buildings that would have fit right in during the 1600s.


http://www.moyak.com/papers/history-housing.html

This was an interesting read and in some ways very helpful. I believe it makes designing a little easier if you completely understand what has, is, and will happen. This page gives you a brief idea of how housing has change and will change. By knowing some of these things it might help to avoid problems early on.


http://www.alfortunato.com/gallerya.htm

A stage is not complete with out furnishings to go on the set and this site gives that and much more. This site could be used for many different period and styles. It is a very easy site to get around and very simple for those who do not like having to hunt for different categories everything is laid out right in front of you.


http://www.furniturestyles.net/european/english/restoration.html

Here is a way to get an idea of which direction to go. Setting a stage can be very difficult if you’re not sure what look you want to obtain and trying to stay in the period the director has set for you. This page shows many different models and resorted pieces and even gives the year or at least the decade it was made.


http://www.realviews.com/homes/georg.html

There are some directors that like to change the style of the play to a different place but stay with the same time just so the audience will have more in common with the play or at least recognize the setting. This page gives American architecture in many different periods for the directors that want to go out of the box.


http://www.letsrenovate.com/styles.html

Here are some examples of homes that are better known to us then those that are in England and still in the right style and period. A very helpful page for those who need more visual examples the written descriptions of a style, not everyone can visualize what the person who wrote the description had in mind.


http://www.metmuseum.org/toah/hd/ench/hd_ench.htm

While the exterior of a house can tell you a lot about the style of the house and even give you insight to what the interior might look like here is a page that has some shoots of interiors. In these pictures you can even see some of the detail and decoration that would have been on the walls at the time.


http://www.thepastwhispers.com/Beginnings.html

Here are a few more interiors. However, this would be for lower class people in stead of the high class homes on some of the other pages that I have pulled. Some times simple can say a lot more the elaborate and fancy interiors. A designer can actually help the director if they wish to show a character as simplistic.

Scenery for "King Richard the Second"

I have chosen to design the opening scenery for King Richard the Second by William Shakespeare. This play was the first of a four play saga by Shakespeare. In this play he shows the beginning of the Wars of the Roses, which is a battle of power between two great families of their time. The main problem with Shakespeare's plays today is the fact that we do not know the history behind everything he wrote. Shakespeare wrote his plays with the assumption that his audience already knew what was going on and the history behind most of the characters. Today this is not always true. Today there are many people that go to watch a play and know nothing about the background or what it is about before entering the theater. In King Richard the Second we start off with conflict, and for an audience that does not know what has happened this can be very confusing. In order to help the audience understand what is happening we must give the subtle hints through scenery, lighting, costumes and much more. Another problem with some of these plays is the fact that common people might say the plays all look the same due to the fact many of them are set in castles. One way of dealing with this is to put the royal family's crest or coat of arms up somewhere to show where the play is taking place, or at least who is in power, so the audience may know something about the government of the time. For the opening scene I have decided to make it traditional with some subtle hints into who the king really is. I am keeping the set traditional by leaving a lot of room down stage to act in. Many of Shakespeare's plays are like this due to the large number of actors or, in some cases, the kings court. At the same time I am giving it the feel of a castle by using columns going from the outer front corners of the stage to the back wall. This will help with some of the sight lines that maybe present. Any other sight lines that may appear can easily be fixed with a black leg or some other more decorative form of a curtain. In this play we can add as much decoration as needed during the beginning while King Richard is in charge. It has been said that he was very well kept and some would even say he was a little feminine. Keeping this in mind I think the opening scene should show a well organized and thought out hall for the king. This is why I have decided to keep it very clean and open. Also, King Richard was a very proud king so to show this I am putting his coat of arms up on the back wall. This also gives room for change later in the play. Since the play is set in a castle there is not many ways a designer can change the scenery without confusing the audience as to where they are. By hanging banners with the kings coat of arms on them, they can later be replaced with Bolingbroke's, or just taken down all together. In my opinion this is how the opening scene for King Richard the Second should look because it will give the play room to grow and actually tell the story not only through the acting but through the scenery as well.

Commedia dell'arte Mask

Commedia dell'arte based off may stock characters that are using recognized by the mask that they are wearing. For this project I decided to create a mask for the stock character Capitano which was one of the very first stock characters. This character is a strong character that is all talk and no show he has a large presence on stage and everyone notices him. Most of the time he is depicted as very brave in words but runs away when it comes to a physical confrontation.Props for this character are very simple he usually has a long sword which he never actually uses during a fight.The mask for the Capitano is usually show with a long nose that is the main feature. Where as most masks from commadia were very colorful the mask of Capitano was usually flesh color or close there to.To create this mask was a bit of a challenge due to the fact that we have different materials we can use today to create a mask. When I started my mask I was trying to stay as true to the character as possible so I chose to make a mold with baking clay. This was simple due to the fact I have already taken my advanced stage makeup class and still have my face mold.The first thing I did was mold a mask on to my face and get it as close to the characteristics of the capitano as possible. In doing this I gave him a long pointy nose and angry looking eye brows to show that he likes to fight even though he does not like physical confrontation. Once I had the basic out line of the mask I baked it in order to make it very hard and rigged. this did not work out as planed it was still very brittle and broke very easily. so I had to find a way to reinforce the mask that would allow me to keep the shape and detail I had already put into the mask.When I ran into this problem I decided to go back to paper mache. So instead of doing a normal paper mache where you would remove the mold that you used to get your shape I left the baking clay in the mache. This gave me the detail that I had from the beginning and made it much harder so that I could create a mask.Once I had my mask in order to get to the color I had to paint it in a way that gave it the looks of leather which is the closest they would have been able to get to a normal skin color but during the time of commadia. So I used three different colors to blend together so to give the effect of skin or in most cases leather. Giving the mask a colorful and texture that makes it look closer to authentic commadia masks.In my opinion my mask is very close to an authentic commadia mask except for the construction of the mask itself.

Classical Tragedy Greek Devices

1. Ekkyklema

The ekkyklema was a wagon for the dead. Back in the Greek theatre they did not believe in see dead bodies or violence on stage so they would be put on this wagon to be taken off stage and out of sight or the audience. They could also use this to move other scenes in and out of sight. This was they’re way of letting the audience know what was happening with out showing it.

http://www.didaskalia.net/images/gstage11.gif

2. Periaktoi

Periaktoi were used to show change in scenes. They where made with three side usually out of wood with something different depicted on each side in order to move the story along. This helps to show a change such as movement from one place to another or change the mood of the play altogether. It was an easy and efficient way of creating scenery all they had to do was turn them.

http://www.hstech.org/howto/carpentr/flats/periaktoi%20014.jpg

3. Theologeion

Theologeion was a raised platform or what we would now call a balcony that was used for the gods to come forth and speak to the audience or directly to the character. This was to help show the power the gods had over everything and everyone.

https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidVuKKeN8fsJ8OKpSD9e4X8h7-Hkpwm5QpcoZk8AHM9a0R7ko3xc06oIFSB0DdZPIBL8T3TqxlYiiE302QosktkDEhvT6CRDSPIlXcDx5bqBxKicOjI3IcTvcYv27JVG7Oq5BZLjD3NuZJ/s1600-h/scaffold_fig.gif

4. Pinakes

pinakes where panels placed in openings of the Greek theatre with scenes shown on them to add scenery to the over all stage and give a visual effect to the play that may not have already been conveyed. This is like what we now call flats that cover the back stage area.

http://www.whitman.edu/theatre/theatretour/glossary/glossary%20images/pinakes.jpg

5. Skene

Skene was building built dirctly behine the stage. It was usally decorated to surve the need os the play for example if the play was set in a palace its was decorated to represent the palace. This is the way the actors entered and exited the stage.

http://academic.reed.edu/humanities/110tech/graphics/theaterdiagram.jpg

6. Orchestra

Orchestra this was a circle in front of the stage that separated the audience from the stage. This is where the chorus played they’re parts a lot went on in this space since they had more chorus member then actors during the Greek theatre.

http://www.whitman.edu/theatre/theatretour/glossary/glossary%20images/orchestra.jpg

7. Parodoi

Parodoi is usually just a opening in the early theatres that lead to the orchestra. They used this opening for people like messengers and such from abroad . this was an easy way to show that the character was from some other place.

http://www.whitman.edu/theatre/theatretour/sicyon/images/large%20images/sicyon.parodoi.jpg

8. Mechane

Mechane was a device used during the run of a show to lower gods in from above showing their power and authority. It worked a lot like a pulley system does today.

http://www.ual.es/personal/fjgarcia/images/Mechane_Socrates.jpg

9. Logeion

Back in the Greek theatre they had platforms just like we do today so that the actors would have more of a stage to separate the scenes from one another. They had one platform called the Logeion that was built right in front of the skene.

http://anarchon.tripod.com/subdirectory-theatre/epidauros.gif

10. Thymele

Thymele was a platform in the middle of the orchestra that the lead in the chorus would stand on to speak. This was also the alter that they used during performances when they were in need of a sacrifice to the gods.

http://www.sheffieldtheatres.co.uk/creativedevelopmentprogramme/productions/minotaur/images/Diagram%20of%20Theatre.jpg